I Wrote Thirteen Novels in 2012. Now what….. and retrospective.

I feel like I am just beginning.

Last year I wrote thirteen novels, 650,000 words, and a handful of blog posts. I started the project with the idea that either I would find out that I am really a writer, and learn what it is to have writing a constant thing that must be done regularly, to have it a habit to sit down and type what I daydream more than I imagine that I might someday write some of it down.

I thought, when I started, that either I would end up a writer on the other side, or I would know that I never want to write again. I thought that when I finally crossed the finish line that I would collapse, feeling like I was full of words and stories I had told, ideas spent, projects behind me like miles of track and I would be the triumphant marathoner.

And I thought that I would feel finished, like I had completed something.

And yet, no. I feel tenuous, green like fresh grass out of a snow drift, fragile and new and so very timid about even sharing these few words. I have written post after post and then deleted them, because they only said what I thought I wanted to say, and yet the old formula does not touch my heart the same way. It is different, the words, the meaning of this life, the things that I want, and the realization of who I am.

I must begin. Again.

I wrote thirteen novels in 2012. 650,000 words of fiction. It still feels surreal, like an object so precious that I must keep touching it to know that it is there. I have to keep saying it to people, to myself. That I did it.

And then the lingering question.

Now what?

Again, there were assumptions. That I would dive immediately into editing what I did, that I would comb through in horror and amazement at what I had written and start to pull it all apart and see what could be made of the mess. I thought I would have used up my ideas, and that I would want only to examine what has already come. And in that assumption, I thought that the value of writing thirteen novels would be in what was produced itself. Again, I find myself wrong.

I'm sure that what I have written has potential; it would be lovely to have some of the stories that I so enjoyed writing be viable. Surely, at least four of five of the books have potential, at least I think.

But like all the other assumptions I made, it is hollow. Like the possessions of a human do not mean anything about themselves in the end, the true value of writing so much had nothing to do with what I wrote, but more in the writing of it, the abandon to write whatever it was within my heart to write and to witness it as a part of myself.

The value came in blogging my adventure and meeting the wonderful people who have been here with me on my journey, it came from writing a guest blog for the Office of Letters and Light, and taking a whirlwind trip to Write Dangerously in San Francisco, riding on the amazing kindness of donations from strangers and friends alike.

The value came in forgetting to worry about who I seemed to be (or simply being too tired all the time to pretend to be anything else). It came in the terror of beginning, and pushing through resistance and old beliefs because there was nothing else to be done but to move forward.

It came in the form of finishing against all odds, in writing a novel in a week, in the incredible support of my parents and friends and strangers who have taken it upon themselves to keep me buoyed up, who comment on this blog and make me smile, and in the act of blogging at all, sharing myself with anyone who wishes to look.

The value came from the steadfast devotion of my amazing irowboat, who would so often turn to me and say not “I love you,” or “You've got this,” but instead “Wordcount” – a demand and not a question, and he even made me an action figure to egg me on. He stayed up nights with me, endless coffee and peanut m&ms on demand, his shoulder always there to lean on, and the constant demand for my wordcount pushing me past exhaustion. I could not have done it without him.

The value came from slowly feeling myself turn into a person, to feel the parts of myself that I adopted to appease those around me become uncomfortable and hang from me like an old coat I don't need anymore. I can feel the solidity of this person I am, even if I am not entirely sure who that is now.

And of course, the value is in having become a much more able writer, a much more confident writer, who is not afraid of putting junk down on the page. And a better writer by far.

And as a bonus to all that and more, I have thirteen novels to edit if I want to. It is all so much to process, and I have fallen into a deep silence since the new year, one of reflection and living and lots of deserved sleep.

And still I keep asking myself:

Now what?

Writing more, of course. I have some new stories to tell, ideas to explore. There is Clarion West to apply for, and writing contests to compete in, and publication to seek.

There is blogging to do – lots of blogging, and catching up on responding to comments and emails since before November, and life and cleaning and all the movies and television I was too busy to watch last year.

And editing, of course. I cannot forget that – the terrifying unknown of editing. Because while last year was valued past the produced work, it should not forget that I want to be a published novelist sometime, and it's a good place to start.

And besides, I have a new irowboat action figure to pester me.

Happy New Year, everyone.

What happens next for you?

 

Inspiration #21

Every Sunday, I choose a passage of wisdom from someone who knows better and much more than I do about writing, life, the universe and/or everything.

Share and enjoy!

“Almost every single thing you hope publication will do for you is a fantasy, a hologram—it’s the eagle on your credit card that only seems to soar. What’s real is that if you do your scales every day, if you slowly try harder and harder pieces, if you listen to great musicians play music you love, you’ll agent better. At times when you’re working, you’ll sit there feeling hung over and bored, and you may or may not be able to pull yourself up out of it that day. But it is a fantasy to think that successful writers do not have these bored, defeated hours, these hours of deep insecurity when one feels as small and jumpy as a water bug. They do. But they also often feel a great sense of amazement that they get to write, and they know that this is what they want to do for the rest of their lives. And so if one of your heart’s deepest longings is to write, there are ways to get your work done, and a number of reasons why it is important to do so.”

~from Bird by Bird, by Anne Lamott

Inspiration # 10

Every Sunday, I choose a passage of wisdom from someone who knows better and much more than I do about writing, life, the universe and/or everything.

Share and enjoy!

“We write to expose the unexposed . If there is one door in the castle you have been told not to go through, you must. Otherwise, you’ll just be rearranging furniture in rooms you’ve already been in. Most human beings are dedicated to keeping that one door shut. But the writer’s job is to see what’s behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words – not just into any words but if we can, into rhythm and blues.

You can’t do this without discovering your own true voice, and you can’t find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder. They are probably the ones who told you not to open that door in the first place. You can tell they’re there because a small voice will say, ” Oh whoops, don’t say that, that’s a secret,” or “That’s a bad word,” or “Don’t tell anyone you jack off. They’ll all start doing it.” so you have to breathe or pray or do therapy and send them away. Write like your parents are dead. “

-Anne Lamott, Bird by Bird

A Short Note of the Personal Kind

Day Fifteen: 23,214 of 50,000 words

I hope to catch up soon.

Er,

I will catch up soon: replying to comments, word count, social activities, sleep. All of it.

But right now it’s hard to keep up with what I’m doing when I’m having a hard time even keeping up with myself.

I’m experiencing something I suspected might happen when I started this project. I’m different. I’m not entirely changed – no one in my life is saying that I’m not the same as I was, for instance.

Of course, not very many people have seen me recently… because I’m, you know, writing all the time.

Ahem.

But there are subtle things. It’s like I’m so busy actively writing that I’m forgetting to be the person I think I am. So I’m slipping into the person I am.

More like catapulting than slipping.

It’s as though there are two of me, and while one is busy trying to figure out the next plot twist or what might drive a person to become a murderer (remember, I’m doing dark things this month), the other me is busy repainting the walls and taking over my wardrobe while the rest isn’t looking.

Anne Lamott in Bird by Bird talks about characters developing like a Polaroid, and I feel like that – I’m a washed out image of someone fading into existence, a hand, hat, foot at a time. Like I’m a Cheshire Girl and all that I know is my grin.

It’s fascinating to be someone else, but someone also so familiar. Uncomfortable, yet like coming home.

If I wasn’t so intent on writing, I’d stop what I’m doing and go make myself look like Who I Think I Am again, make it all tidy and safe and acceptable. But I don’t have the time, so I’m letting myself blossom into something and someone else. It’s beautiful and frightening and confusing.

What I’m really doing is writing myself real.

And it makes me wonder if maybe when we stop writing in the middle of something, is it because we touch something in ourselves that is true and naked and really not who we think we are at all – so we run away?

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